"Sonali has a rare gift for teaching — she makes you see flowers completely differently. My first class changed how I look at everything around me."
— Workshop student, Santa Barbara"We booked Sonali for a corporate event and it was the most memorable team activity we have ever done. Everyone left with something beautiful they made themselves."
— Corporate client"The Art & Chai evening was the perfect girls' night. Flowers, tea, great conversation — and I went home with an arrangement I was genuinely proud of."
— Art & Chai guestLinks will be active once your profiles are set up
✦ All materials can be provided — just let Sonali know when you book.
✦ Basic flowers & greens included for your first class.
✦ If you prefer to build your own kit over time, here's what you'll need.
A flat, shallow ceramic dish — known as a suiban — is the most common Ikebana vessel. Look for:
Tip: Japanese pottery shops, local ceramics studios, and thrift stores are great sources.
The kenzan (or pinholder / flower frog) anchors your stems in the vessel. Quality matters here:
A good pair of Japanese floral shears makes a clean cut without crushing the stem. Look for single-blade hasami shears — they cut at an angle for better water uptake.
Basic flowers and greens are provided for your first class and included in class fees (specialty flowers extra). As you progress, you'll be guided on what to source seasonally — farmers markets and local garden cuttings work beautifully.
Questions about materials? Ask Sonali →
I have been practicing Ikebana since the age of 10, first learning under the guidance of my mother, Sensei Sheela Vagholikar, First Master of the Ohara School of Ikebana and former Vice President of the Bombay Chapter of the Ohara School, who has been teaching Ikebana for over 50 years. A remarkably gifted artist, she has a rare ability to transform even the simplest, most ordinary flowers into something truly magical. Growing up watching her teach 40 students at a time, and assisting her in demonstrations across India and the United States for nearly four decades gave me a foundation that goes far beyond the classroom.
I later continued my training with Sensei Fujimoto in the Bay Area, under whose guidance I have studied for the past 20 years. Now 100 years old, Sensei Fujimoto's wisdom and mastery have been a profound and lasting influence on my practice.
I have been teaching Ikebana for over 25 years — to women, seniors, special needs children, and all Ikebana enthusiasts. Over that time, I have earned 11 diplomas from the Ohara School of Ikebana, Japan, with my most recent being the Associate First Master's Diploma, received in 2022.
In 2015, I was fortunate to deepen my practice further when I moved to Nagoya, Japan for a year, studying under Senior Professor Kanamori Sensei. During that time, I visited the Ohara Headquarters in Kobe, attended the 120th Ohara Exhibition celebrations, and took classes alongside fellow students — an experience that profoundly shaped my artistry.
Most flower arrangements fill space. Ikebana honors it. Where a bouquet celebrates abundance, Ikebana finds meaning in restraint — a single branch, a stem, a curve that leads the eye into stillness.
Rooted in Japanese aesthetics, Ikebana is guided by principles of asymmetry, seasonality, and the beauty of negative space. Every element is intentional. Nothing is placed by accident.
Unlike a florist's bouquet — which begins with the flower — Ikebana begins with a feeling. The result is not a decoration but a moment: alive, considered, and quietly profound.